maelorin: (the sun is trying to kill me)
maelorin ([personal profile] maelorin) wrote2007-09-10 08:19 pm
Entry tags:

whiteadelphi, fault is yours. enjoy.

If you happen to be working on some creative writing project, fanfiction or NaNoWriMo or what have you, post one sentence (or more)from each of your current work(s) in progress in your journal. It should probably be your favourite or most intriguing sentence so far, but what you choose is entirely your discretion. Mention the title (and genre) if you like, but don't mention anything else -- this is merely to whet the general appetite for your forthcoming work(s).

solar plexus

The door opened. The sun shone in. Everyone was dead. "So much for the heroic rescue," he muttered. Shutting the door, we walked away.
The Harvest
The funeral would be a long one. All afternoon, at least.
Threshold
Welcome to Hell,” a woman’s voice called out in French. “And welcome to the blank part of the map.”


yes, i have been working on a novel or two in my spare time. just wish i didn't suck at dialogue.

guess the genre's.

[identity profile] whiteadelphi.livejournal.com 2007-09-10 11:26 am (UTC)(link)
Ouch! That first one is harsh. (And very interesting. ^^)

[identity profile] whiteadelphi.livejournal.com 2007-09-10 11:49 am (UTC)(link)
Helluva way to start a story. XD
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[identity profile] verdigriis.livejournal.com 2007-09-10 11:41 am (UTC)(link)
Dialogue is hard. It really pisses me off...

Good opening line BTW.

[identity profile] verdigriis.livejournal.com 2007-09-11 04:40 am (UTC)(link)
"only the first is an opener (at the moment , anyway :D"

So I gathered from your comments above.

Is cool, anyway.

[identity profile] reverancepavane.livejournal.com 2007-09-12 03:52 pm (UTC)(link)
The trick is to hide stuff you are not good at. If you can't write dialogue then don't write dialogue.

My problem with dialogue is that I get too involved in the conversation and end up writing a screenplay rather than a story. [I say screenplay because when I write plays I tend to write something rather different. Too much Tom Stoppard, The Bard, and Nigel Triffith in my formative years.]

So rather than writing dialogue try writing without it. Use cut scenes and the like to end wandering exposition. Remember to avoid the teacher's disease and therefore don't attempt to explain everything. Just because you have a fully-functioning world in your head and notes doesn't mean that you have to show every detail in the story. Leave that for the inevitable RPG supplement. <grin>

Try more short forms than a novel. The market is smaller but they are good practice because they are simpler (as they generally revolve around a single idea), and harder (in that it is easy to write verbosely but much harder to write concisely).

You have a good turn of phrase. This helps.